Spike's Top Albums of 2011

Tough year. Maybe we say that every year. But it was, again, a tough year to crack the top 10. Kudos to all the musicmakers I love for making this exercise way more agonizing than it ever ought to be. I could, without any trouble whatsoever, compose a top 10 just from Charlie T's also-rans. I could also craft a handful of drastically different lists each with their own compelling criteria (most listened, most likely to still matter to me in 1 or 2 or 5 years, most important, most whatever). I could, but I won't.

And as usual, as if that first paragraph wasn't already a steaming heap of disclaimers, this list could change in the next hour.

THE TOP 10

10. The Decemberists //The King Is Dead

9. Jim Lauderdale //Reason & Rhyme

I was totally surprised by how often I came back to this album, how many times I found myself singing this album, how many times I referenced this album when working on my own songs. Lauderdale and co-writer Robert Hunter created a timelessly great bluegrass-ish record.

8.

Tom Waits // Bad As Me

7. Joe Henry // Reverie

6. Megafaun // s/t

5. Low // C’mon

Alan Sparhawk with his yearly bid for Song Of The Year (Try To Sleep).

4. Wilco // The Whole Love

3. Gillian Welch // The Harrow & The Harvest

2 people. On every song. Live. This is statement on the power of simplicity (and subtlety and smarts and virtuosity). No bells. No whistles. Just two people playing some finely crafted songs on, most of the time, two guitars with two voices sewn so beautifully that it's impossible to tell where one ends and the other begins.

2. Fleet Foxes // Helplessness Blues

It has come to my attention that it is no longer hip to like Fleet Foxes, that it is cooler to write them off as "better back then" than it is to like them now. Which makes it all the more logical that I love this album. I listened to it every morning all summer and there are still songs and moments on the record that register goosebumps. I promise: I wanted to be cool; I tried not to like it. But I love its ambition. I love its melodies. I love what Robin Pecknold has to say and how he says it. Of course the harmonies and retro-neo-folkie arrangements are the calling card. But it's a fine, cohesive record that, much like most of the albums on this list (but especially Megafaun), is an argument for THE ALBUM. An experience. Something better in one sitting than cut up into shuffled mp3s. A unified vision that feels like a family of songs, a home constructed on ideas and tones and voices.

1. Over The Rhine // The Long Surrender

Yes, this was #3 on my list last year (and I would still put it behind The National and Justin Townes Earle). I did that, knowing that usually January releases get the proverbial shaft due to the amount of time (and familiarity) they have versus the freshness of later releases. But I love this album as much today as I did this time last year. That says something. One of the musical moments of my 2011, maybe even my life, was listening to Linford Detweiler play an extended outro to "All My Favorite People" that, with no words, moved me to tears. To read what I said about the album last year, click here.

THE NEXT 10 (in no order)

Steve Earle // I'll Never Make It Out Of This World Alive

David Bazan // Strange Negotiations (some of the best songs out this year. why didn't it crack the top 10? Because I pressed PUBLISH.)

Radiohead // King of Limbs

Lisa Hannigan // Passenger

Lucinda Williams // Blessed (her best record, in my opinion, since World Without Tears)

Buddy Miller & The Majestic Silver Strings (if this won't make you re-think Leann Womack, nothing will. she DESTROYS the songs she sings on this)

Milk Carton Kids // Prologue (perhaps the most pleasant surprise of the year for me. a real Gillian/David soundalike that didn't feel derivative to me. good playing. good songs.)

Jason Isbell // Here We Rest

Jessica Lea Mayfield // Tell Me

Bon Iver // Bon Iver, Bon Iver (I know: what's my problem?)

OTHER NOTABLES

Feist // Metals (I have a feeling this one will rank higher years from now)

Dawes // Nothing Is Wrong

Paul Simon // So Beautiful Or So What

Ryan Tanner // Seven Years EP

Blind Pilot // We Are The Tide (the first song is one of my favorites all year)

Foo Fighters // Wasting Light

David Lowery // The Palace Guards (I Sold The Arabs The Moon!)

Wye Oak // Civilian (for once, the hype was right. I liked it a lot. Just didn't get enough listens before list-time. I was late. Sue me.)

Rave On, Buddy Holly // tribute album (especially Jenny O and John Doe's songs)

Adele // 21 (I know...but I liked it...in wee doses)

The Devil Whale // Teeth

Dustin Christensen // Highway Lines

The Jayhawks // Mockingbird Time

My Date with Washed Out

Its been nearly 18 since I last went out with Merriweather Post Pavillion. In case you forgot how that turned out, it lasted about 4 dates (the last three being very difficult and forced) and we haven't seen each other since.

This week, unsuspectedly, a new album came into my life -- the latest release by Washed Out. I will admit that the cover art caught me, struck me as a little "She Wants Revenge". The album seemed dateable, worthy of the same treatment I gave to MPP. Many folks had determined that I should love this album -- that I should think she was funny, attractive, intelligent, the whole package. So I asked her out for a long lunch, at some place nice but ot too nice. Here's how it went.


(During Eyes Be Closed)
This isn't too bad. I thought I might be more repulsed right at the beginning.

Am I that jaded by blind-hype dates?

(During Amor Fati)
If I wanted to listen to this kind of music, why wouldn't I just call up one of my old flames, The Smiths or The Cure, who are better anyway?

Actually there is a little bit of Duran Duran in here. Oh Duran Duran...I wonder if I still have her number?

(During Soft)
Fading in and out of this conversation.

Hearing more of the conversation on the table next to me than whatever she is saying. But I do think she is nice.

She at least isn't overbearing and too eccentric for her own good.

(During Far Away)
I don't know why I am thinking about Sneaker Pimps but I am. I never think about Sneaker Pimps. Is this a good sign?

I can't even remember how that Sneaker Pimps song goes...or can I? I know its something "da da da..Underground..." Is there a six in there? Six underground? Sixth Avenue? No, that's The Wallflowers. Bringing Down The Horse. I always liked that as an album title. I wonder where that album ended up. I remember leaving it in my mom's car once upon a time.

Okay Chuck, get it together. Focus a little more and give this a fair shake.

(During Before)
I'm kind of liking this now.

Don't get carried away, its not to second date status yet but there is a nice hip-hop element here. I feel like I'm am in a club on South Beach during the summer, at 3 A.M. I've never been to South Beach though. Maybe its more like being in a club on Tron, which would mean there is a chance the Tron: Legacy girl would be there. Focus. Tron isn't real. That girl is an actress. Maybe I'd run into here on South Beach.

I still can't believe the Heat lost. #$@%^ Jason Terry. Even his name makes me mad.

(During You and I)
Am I in Urban Outfitters?

(During Within and without)
I really need to focus. After all, I am paying for this date.

Wait a minute, why do I keep agreeing to things like this? I am way too cynical.

I feel like Washed Out deserves another spin just because I am so negative.

(During A Dedication)
This is exactly how I ended up on 4 dates with Merriweather Post Pavillion. I thought it I was the problem, that things didn't work out because I lacked commitment.

I don't mind this song. Its got a good lo-fi vibe going on.
Wait, its over? That was it?

I really want to go back and listen again just to make sure I didn't miss anything...even though I know I didn't miss anything.

I didn't go back and listen again. I decided to go hang out with my friends Gillian Welch and Jason Isbell. Much more rewarding. They are always good for a good time and I never end up questioning why I am with them.

Annual Report: 2001

I was tempted to talk about '69 and '71, but thought it might be better to spread out the years more. So let's hit a year in more recent memory, when– admittedly – both Charlie T and myself were in our "music-listening primes." I guess by "prime" I mean the time when you have sort of graduated from what you grew up listening to and moved into a new phase (at least for me, that's how it worked. I was less fixated on the Zeppelin-led classic rock of junior high and two-pronged jamband/alt-rock of my high school days). You listen with different ears. Whether they are more refined and less jaded is debatable, but at the time you sure think they're authoritative.

So, 2001. We survived Y2K, Ricky Martin, and boy bands. 9/11 happened. It will always be a banner year for a billion reasons unconnected to music. But the music also happened to be really great.

Yankee Hotel Foxtrot (free release) // Wilco
Time (The Revelator) // Gillian Welch

Two of my favorite albums of all time. I'm fortunate because I felt the same way when I first heard them, mind blown, ears appeased, heart filled. But, unlike some of the other albums that have since been demoted to bins like Overhyped, Failed The Test Of Time, and worse, these have stood strong. That they are both approaching America from such different angles and yet still seem somehow related (strong writing maybe? pure singing? nostalgia?) is a testament to the strength of 2001. Welch's "I Dream A Highway" might be the only 15-minute song featuring just 2 guitars and 2 voices that I ever wished was twice as long. And Wilco's entire album has survived time, which a lot of "glitchy production, studio experimentation" albums fail to do. With songs like "Jesus, Etc" and "Radio Cure", it's no wonder. The production wasn't veiling bad songwriting, it was adding texture to amazing songs.

Is This It? // The Strokes
White Blood Cells // The White Stripes
Oh, Inverted World // The Shins
Gold // Ryan Adams
Agaetis Byrjun // Sigur Ros

Debuts or not, these were the albums that buzzed, that introduced us to new voices in American music. Disaffected NYC hipster elite. Mondrian-inspired minimalistic, raw blues rock from Detroit. Smart, melodic indie rock. A prolific singer/songwriter who embraced his influences and excesses. Glacial soundscapes with an angelic voice sung in the supposedly made-up language of Hopelandish. There were better albums this year, but not many buzzier.

Amnesiac // Radiohead (I don't dare add to the superlatives. Let's just say it's still great.)
The Blueprint + Unplugged // Jay-Z
Love and Theft // Bob Dylan (I'm more of a Time Out Of Mind guy. Sue me.)
It's A Wonderful Life // Sparklehorse (RIP)

The Argument // Fugazi
Things We Lost In The Fire // Low

Maybe 2 of the albums I go back to most? Two great, smart, trend-oblivious bands at or near the peaks of their creative output.

Bleed American // Jimmy Eat World
musicforthemorningafter // Pete Yorn
One Nil // Neil Finn

I love a good pop song. Melodic and memorable. If the words are great too, then it's legendary. Some of these split the difference. Pete Yorn's album blew me away for awhile and was a nice patchwork of pop and indie rock and singer/songwriter and more. Neil Finn was just going about his usual business of spitting out great melodies. And Jimmy Eat World? Well, there's nothing cool about liking Jimmy Eat World. But I still love this album– its dramatic builds, its dreamy and desperate vocals, its drums, its college heartbreak. I remember going to lunch with a friend in 2001. Her much-hipper friend shows up and we're talking music and, before I know what I'm doing, I ask what he thinks of the new Jimmy Eat World. My stupid "hipster filter" kicks in and I try to control-Z, but it's out and it's even clearer how cool I'll never be. But, in the loudness of the restaurant, this guy thinks I asked about the Jim O'Rourke album. And he starts going on and on about it. And my friend shoots me a look and I sorta wave her off like, "It's not worth clarifying." The guy still thought I wasn't cool, I guess. But I never had to try to sell him on Bleed American.

Field Songs // Mark Lanegan
Old Ramon // Red House Painters
What's Next To The Moon // Mark Kozelek

My two favorite Marks. Kozelek closed the chapter on Red House Painters and opened up a whole new can of worms (a whole album of Bon Scott-era AC/DC covers?) and basically wrote his own license to do whatever. Lanegan, meanwhile, continued to do what he does best, which is write harrowingly, sing hauntingly, gargle gravel, and be one of my favorite odd rock icons. Plus, he contributed to the cactus weird of Desert Sessions.

Green Album // Weezer
Hot Shots II // Beta Band

Two quirky iconic bands say goodbye. Wait. What? What's that you say? Weezer kept making albums after the Green Album? Really?

Stephen Malkmus // Stephen Malkmus
Ancient Melodies of the Future // Built To Spill
Girls Can Tell // Spoon
Isolation Drills // Guided By Voices

Songs In A Minor // Alicia Keys
Aaliyah // Aaliyah (2x platinum, RIP)
No More Drama- //Mary J Blige

Apparently 2001 was a year where female neo-R&B struck a chord (A minor perhaps?) with me. Blige's voice, maybe our greatest contemporary R&B singer, and persona have always resonated with me and her song "Family Affair" is undeniable. I wish she'd make a record with Mark Ronson & The Dap Kings because it would be insanely great. Joe Henry producing would come in a close second. And of course, Alicia Keys and Aaliyah's hits were unavoidable. As a sidenote, pop/R&B legend Michael Jackson released what no one would've guessed was his final album (Invincible) in 2001

Souljacker // Eels
Gorillaz // Gorillaz
Vespertine // Bjork
The Photo Album // Death Can For Cutie

Songs from the West Coast // Elton John
Poses // Rufus Wainwright
Rockin The Suburbs // Ben Folds

It was a good year for piano men. Elton had a temporary revival with is best batch of songs in years. Poses still sounds amazing with standouts like "Cigarettes & Chocolate Milk", "In A Graveyard" and the title track. And Folds' debut sounded an awful lot like BF5 minus the kind of editing/filtering that a band provides. Still, it spawned at least 4 classic Folds' tunes.

Brushfire Fairytales // Jack Johnson
Room For Squares // John Mayer

It was also a good year for guys with guitars. Campuses across the country were flooded with fratboys in pooka shell necklaces scraping to learn "how to play some Jack" for the ladies. Bodies were wonderlands. Banana pancakes were made. Actual songwriters on college campuses were a little bit bummed. Clearly not my cup of tea, but deserving of mention, I suppose.

Amelie soundtrack // Yann Tiersen
Rock Steady // No Doubt (set up Gwen for megastardom)
10,000 HZ Legend // AIR
End of Amnesia // M Ward
Lateralus // Tool

Top 200 Albums of The Decade (11-40)

Continuing the list that is less definitive every time I look at it. (How's that for a vote of confidence?)

11. Wilco- A Ghost Is Born
12. Joe Henry- Tiny Voices
13. Elliott Smith- Figure 8
14. Gillian Welch- Time (The Revelator)
15. Aimee Mann- Bachelor #2
16. Cardigans- Long Gone Before Daylight
Some people think this band just has the hit. Those people are idiots. If you are an idiot, go pick up this album and get your mind all changed.
17. Broken Social Scene- You Forgot It People
18. Robert Plant & Alison Krauss- Raising Sand
19. Low- Things We Lost In The Fire
20. Jon Brion- Meaningless
This album/artist changed everything for me and I totally realize that this is personal bias with no objectivity whatsoever.

21. Patty Griffin- 1000 Kisses
Just for the fact that Long Ride Home is one of the best songs ever written. And the bridge on Chief.
22. Kathleen Edwards- Failer
23. Leona Naess- s/t
24. Johnny Cash- American Recordings (All, yes I'm lumping them. They are essentially the same in spirit and sometimes session. So I'm taking the liberty.)
25. Historical Conquests of Josh Ritter
26. Doves- Last Broadcast
criminally underrated.
27. Flaming Lips- Yoshimi Battles The Pink Robots
It's hard to remember a time when this album didn't exist, before Wayne & Co. were singing Do You Realize and Yoshimi to the world.
28. Steve Earle- Transcendental Blues
Why is this album so low? Because I am not just a moron. I am a lazy moron who refuses to redo the list.
29. Sigur Ros- ( )
30. The Strokes- Is This It?
31. Fugazi- The Argument
32. Pete Yorn- musicforthemorningafter
33. The Weepies- Say I am You
34. Matthew Ryan vs The Silver State
This album would be higher if I didn't fear how recently it came out.
35. Iron & Wine- Our Endless Numbered Days
36. Josh Ritter- The Animal Years
37. Wilco- Sky Blue Sky
That's 3 for Wilco in the top 40. Kasey Casem would be proud.
38. New Pornographers- Electric Version
39. The Innocence Mission- Befriended
40. Arcade Fire- Neon Bible